May 19, 2007

Lucifer Shivers

...the devils also believe, and tremble. — James 3:19

I saw the vast immensities of light,
the three-ringed circles of the Three-Self’d-One;
I, standing under, understood aright,
discerning God the Father, Spirit, Son.
But then, when God made Man, I had begun
To lose the thread of what God was about
In making creatures who, without a doubt,
Resembled and reflected God so well.

For this, and this alone, I went to Hell,
because I can not fathom, see the way
or why of God’s self-image-making; fell
to dark, cold exile from eternal day.
For this I lost my lofty seat above:
I can not grasp this mystery called “Love.”

Tobias Stanislas Haller BSG


3 comments:

  1. A lovely and ingenious sonnet. Is the form -- rhyme royal transitioning to English sonnet -- your own invention? When the form is taken together with the subject, the poem evoke echoes of Chaucer, Shakespeare, and Milton (not to mention today's gospel.)

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  2. AnonymousMay 23, 2007

    It is indeed formally lovely, and the subject matter is especially intriguing. God through Lucifer's eyes is a perspective one doesn't often encounter. At the moment, I can think of only one other poem written entirely from that perspective, Lucille Clifton's eight part poem, "Brothers." If you'd like to read it, I found a copy here.

    fs

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  3. Thanks for the kind words, allen and fs. As to the sonnet form, this is my sort of compromise form between Petrachian and English. I like having the sextet in which to develop the "response" but (as a former Shakespearian actor) I love the closing couplet too much to omit it. I also like linking the rhyme scheme between the octet and sextet in terza rima style -- so there's also a salute to Dante!

    The real inspiration for the subject, in addition to the verse from James, is the Anglo-Saxon verse version of Genesis, in which Satan has a long address. It's said Milton was familiar with this text. My favorite line is "Ic a ne geseah lathran landscipe" -- I've never seen a loathlier landscape!

    The thing that fascinates me about Satan, as portrayed in the tradition, is how "he just doesn't get it." And that's what I've tried to capture here.

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